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A photo from 21-12-15 in Berlin

Milena Cord-to-Krax | Sofia Chekalina | César Queruz

Milena Cord-to-Krax | Sofia Chekalina | César Queruz

Last 21-12-15 I played a concert in Berlin with Sofia Chekalina (baroque cello) and César Queruz (tiorba) at KiezKulturWerkstadt. It was the first time for me to travel to Berlin and I had spoken with César via eMail, but we only got to know each other 3 days before the concert. His teacher Björn Collel kindly put us into contact after I asked him whether he knew anybody who would like to play with me at my friend’s, Javi Vela’s, small and very beautiful stage in Berlin-Charlottenburg. In the end we performed as a trio, as Sofia joined us. Everything worked out fine and we had a good time. I hope we’ll repeat. 🙂

Three videos from 29-05-15

François Couperin (1668-1733) — Concert Royal no. 4

Milena Cord-to-Krax, recorder | Ventura Rico, viola da gamba | Alejandro Casal, harpsichord

☞ Voiceflute by Ernst Meyer

Johannes Ciconia (ca. 1370-1412) — Aler m’en veus

Milena Cord-to-Krax & Vicente Parrilla, recorders

☞ Renaissance tenor recorders by Bob Marvin

G.P. da Palestrina & G.B. Bovicelli & M. Cord-to-Krax (*1988) — Io son ferito ahi lasso

Milena Cord-to-Krax, recorder | Alejandro Casal, harpsichord

☞ Alto ‘Ganassi’ in g by Monika Musch & Renaissance basset in F by Bob Marvin

Aler m’en veus — A video from 17-04-15

Johannes Ciconia (ca. 1370-1412) — Aler m’en veus

Milena Cord-to-Krax, recorder | Johanna Rose, viella

Earlier this month, I was lucky to get to perform with excellent viol player Johanna Rose. This piece forms part of a medieval music duo program:

La dolçce sere

Medieval Italy around 1400: names such as Ciconia or Landini, famous and celebrated composers in their time, often seem to be quite unknown to lovers of early music nowadays. Through ballatas, madrigals and virtuously ornamented pieces from the Faenza Codex we invite you to have a little look into a surprising repertory of particular beauty!

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