I’m a recorder player. I’m lost, but I’m looking.

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In Early Music I most adore counterpoint around 1500, 16th c. diminutions, French baroque and Bach.
I’m keen to learn recorder voicing in the near future.
I like to transcribe early music pieces from original facsimiles or manuscripts.

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Bio:

• 2021: Master studies at ESMUC in Barcelona with Pedro Memelsdorff
• 2019: cofounded the early music ensemble The Imperfect Pearl.
• 2018: won the First Prize at the International Early Music Competition in Gijón with Vox Tremula.
• 2016: 1st recording: my arrangement of Bach’s cello suite Nr. 5 for recorder & basso continuo.
• 2012: cofounded recorder consort Vox Tremula.
• 2011-2015: studied at Conservatorio Superior de Música Manuel Castillo de Sevilla. Thank you to Vicente Parrilla & Bárbara Sela (recorder, consort and chamber music), to Ventura Rico & Juan Carlos Rivera (chamber music), to Andrés Cea (acoustics, harmony and historical performance) and to Alejandro Casal for being my weekly accompanist.
• Masterclasses with: Dan Laurin, Fernando Paz, Michael Schneider, Wilbert Hazelzet.
• 1994: I started playing the recorder. A big thank you! to Eva Morsbach, my first teacher.

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Instruments:

I own a collection of very fine recorders by great artisan makers: Bob Marvin, Monika Musch and Morgan-Ronimus. Currently I’m waiting for a new instrument by Fernando Paz.