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Historically Informed Creativity — subcategory to HIP
I‘d like to introduce a subcategory to Historically Informed Perfomance Practice (HIP): Historically Informed Creativity (HIC). The creative aspects for musicians from the early music epochs (Middle ages, Renaissance, Baroque) included improvising, diminuting, ornamenting, arranging and composing. Studying the mentioned parts of music making from the original treatises, and thus obtaining knowledge on style, harmony–…
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Music scores to The Begger Boy — 9 variations by M. Cord-to-Krax
I found the pretty melody of The Begger Boy in John Playford’s The Dancing Master (1651). It is a very short melody and dancers and musicians would have gone crazy if they played it the same way round and round. Here must have come into play variations/improvisations — for sure. So I decided to convert…
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G.Ph. Telemann: Fantasia No. 10 — A Tempo giusto
I’ve always loved this first movement of Telemann’s 10th Fantasia for solo flute. I play it very unrytmically because I feel I can tell its story much better this way. I’m a professional freelance recorder player, so if you are enjoying this video — please consider inviting me on a coffee 😉 [button link=”https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=STDXAZZJAGPLC” color=”black”…
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Telemann’s Fantasia Nº 10 – 1st movement
☞ Milena Cord-to-Krax, recorder I home-recorded this movement because I have to sell the recorder I’m playing in the audio. Later I thought that it was actually kind of nice (except for a few little things 😉 ) and that the photos I took were also not too bad, so… I shared it. ♪