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Posts Tagged ‘Bob Marvin’

Three videos from 29-05-15

François Couperin (1668-1733) — Concert Royal no. 4

Milena Cord-to-Krax, recorder | Ventura Rico, viola da gamba | Alejandro Casal, harpsichord

☞ Voiceflute by Ernst Meyer

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Johannes Ciconia (ca. 1370-1412) — Aler m’en veus

Milena Cord-to-Krax & Vicente Parrilla, recorders

☞ Renaissance tenor recorders by Bob Marvin

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G.P. da Palestrina & G.B. Bovicelli & M. Cord-to-Krax (*1988) — Io son ferito ahi lasso

Milena Cord-to-Krax, recorder | Alejandro Casal, harpsichord

☞ Alto ‘Ganassi’ in g by Monika Musch & Renaissance basset in F by Bob Marvin

Glosas on O felici occhi miei — A video from last February’s students concert


J. Arcadelt & D. Ortiz & M. Cord-to-Krax — Recercada II, Diferentia & Recercada III after O felici occhi miei
Milena Cord-to-Krax, recorder; Alejandro Casal, harpsichord

Last February’s student concert at Seville’s Conservatory was on the topic of 16th century music. I played three different versions of J. Arcadelt’s madrigal O felici occhi miei: the first one are diminutions by Diego Ortiz for the upper voice, played on a consort tenor blockflute by Bob Marvin. The second version are diminutions by myself, after Ortiz, for the bass voice and the third version are again original glosas by Ortiz as well for the bass voice — these are played on a consort g basset by Bob Marvin.

Pulchra es amica mea — A video from last Friday’s student concert

Last Friday we had our monthly recorder students’ concert at Seville’s Conservatory, whose topic was, this time, 16th century music. I played some beautiful diminutions by the always inventive F. Rognoni on G.P. da Palestrina‘s motet Pulchra es amica mea. The recorder I used is probably my favorite one: a renaissance tenor by recorder maker Bob Marvin. Anyway, this was the result:

G.P. da Palestrina & F. Rognoni — Pulchra es amica mea

Milena Cord-to-Krax, recorder; Ventura Rico, viola da gamba; Alejandro Casal, harpsichord